Trace Elliot manufacturing, what were you thinking?! Expensive looking collet knobs on splined potentiometer shafts. They didn’t even put little shims in the slots as I have seen some manufacturers do so the slot closes up. The knobs just go on wonky and come loose so you would be paying for this lazy solution when the warranty claims start rolling in.
By the way folks. Don’t ever try to prise the slot apart, the metal breaks so easily and you end up paying for a new potentiometer. The only technique I found to get them to stay on was to give them a really good tighten with a good driver and hope for the best.
Model: Quad 65 DFX
Power output: 65 Watts RMS
Channels: Rhythm Neutral/Brilliant, Lead UK/USA
Effects: 8 x preset
Impedance: 8 Ω
Internal speaker: Celestion Seventy 80. 80 Watt RMS 8 Ω
Dimensions: 46 x 53 x 29.5 cm
XLR DI output
CD/AUX input summing stereo jack
FX Loop send/Return
Footswitch Jack (footswitch not included)
Amp is very tidy and has just been recovered with leather effect vinyl.
The laney TT100 service manual does not give a simple layout diagram to show which valve is which and what it does so I have posted one here. For the schematics see here: laney_tt100_sch
I had to repair a Gibson Les Paul boost circuit and drew out the diagram which does not seem to be available on the net so I thought I’d share. The 47k trimmer sets the boost gain. The 4.7pF caps are an educated guess. I think they are just there to avoid RF interference. It was odd but the source terminal of the J202 FET was connected to the 22k load resistor R3. I guess they are interchangeable.
Gibson Les Paul Boost Circuit
I think this is the most powerful tube bass amp on the market at the moment with eight Svetlana Winged C 6550 power tubes. This one belongs to Den Davis owner of MCC Global Entertainments studio in Mottram.
Most modern small venue mixers are constructed onto a single printed circuit board (PCB). To do any work on them I have to remove every knob and nut (Too many knobs and nuts, like a gay night club). That’s an hours labour before I even get to find the fault and fix it.
Kam mixer dissassembled
I used to burn the midnight hours coding computer programs. This bracken fern style picture is generated by a fractal generator I wrote from scratch. I think the program got deleted (probably on a non-readable floppy disk somewhere!). The fractal was generated in monochrome at a very high resolution then each pixels intensity was set by the number of hits within its bounds. I then gave it a green tinge.
Fuck all to do with amp repairs though!
Tony from Oldham’s ‘A Band Of Gypsies’ (ABOG Reverb Nation and on North west bands) had some work done on his Marshall DSL 50. He didn’t like the fist pair of EL34’s I put in so I changed them for a pair of pricey but highly praised Svetlana Winged C’s. They were Hot running high gain selected tubes for that bluesy compressed late break up.
I also fixed a couple of Marshall 4×12 cabs for Tony. The jack socket switch contacts always go on them so I replace them with Neutrik gold plated jobbies that should last a bit longer.
Tony from ‘A Band Of Gypsies’ and his Marshall JCM2000 DSL50.
In July I had a visit from local prog rock artist John Graham of the band Ontofield (see www.ontofield.com). His Blackstar needed a couple of new tubes.
Hadfield prog rock artist John Graham of Ontofield